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LiBRI: The Play on Incarnation as Artistic Creation in Allen Ginsberg’s ‘Howl’

In the latest volume of the LiBRI, Andreea Paris illustrates in the article “The Play on Incarnation as Artistic Creation in Allen Ginsberg’s ‘Howl’” different modalities used by Ginsberg in the poem “Howl” to express the concept of incarnation.

Howl-Allen-Ginsberg-Cover
“Howl” written by Allen Ginsberg

In this essay, the author will approach the theological implication of incarnation illustrated in the poem “Howl”, in order to show Alan Ginsberg’s perspective upon the transcendence of spiritual elements into physical ones (the metaphysical act is conveyed into literary creation). Thus, the poet becomes a prophet who has to deliver a spiritual message. The musicality is also very important in this poem as it enhances the concept of incarnation. Bebop is here representative for the bridge who channels the spiritual and the physical world (as the player of the saxophone sacrifices his breath to create melodious sounds). (more…)

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    Tags: fact, libri, toma, andreea, play, language, concept